E7(Hangeul, Korean alphabet : 이세븐)은 한국 현대미술 작가이다. 그의 작품은 근본적인 실존적 질문에 대한 명상적 성찰의 기회를 보여주면서 시간의 흐름의 결과를 반영한다. 작품 속에는 다양한 사물들이 서로 다른 의미를 담고 있으며, 그것들의 결합과 조화는 과거, 현재, 미래의 요소들을 아우른다.
종이에 먹물을 흘려 칠한 우연의 형상이 다른 이미지로 변모하는 것은 예술적 과정일 뿐만 아니라 자기에 대한 이론적 성찰의 일부이자 삶의 위안이 되어 즐거운 유희와 같은 표현을 모색한다. 또한 작품은 평면이든 입체이든 초기 평면의 속성을 이어가는 응집력 있는 표현을 유지하며 작가의 예술적 비전과 창작의 연속성을 보여준다.
그의 작품은 인천의 JC Co, 부산의 Larion Hotel, 대전의 Romano Church, 서울의 Haram Co, 서울의 R&B Co, LA의 Papason, 뉴욕의 Bonjoin, 맨해튼의 Empire State Building, 세계 무역 센터(WTC), 이탈리아의 Leonardo da Vinci Fiumicino 공항, 파리의 Jeune Gallery를 포함한 다양한 존경받는 기관의 개인 소장품을 장식합니다.
Certification established in collaboration with Akoun, the world leader in art market information since 1985.
Artist Value Painting 2023 | €4,000.00 (US$4,296.80)
Certification has been established by Jacques-Armand Akoun on 2023. 7. 28..
33-1 Sure-ro 1120beon-gil, Hwado-eup, Namyangju-si, Gyeonggi-do, Republic of Korea
2024. Seven E. One-Man Show
Happiness will always be with you in your future.
Thank you.
100% 수제 빈티지 곰인형 [핸드베어 : HandBear] 브랜드 론칭 기념 개인전
2023. 3. 15(수) ▶ 2023. 3. 22(수) 
HandBear_A 
HandBear_B 
HB-BF052_7x8x10cm_Mixed media_2019
HB-SN018_6x8xcm_Mixed media_2022
HB-A000S79/HB-SN023_6x7x9cm/8x8x10cm_Mixed media_2018/2022
HB-A000S84_6x7x9cm_Mixed media_2018
HB-BF017_6x7x9cm_Mixed media_2020
HB-TF008_7x8x10cm_Mixed media. 2020
Piece title: Are human beings currently living well?
Did humans create the behavioral privileges that they have enjoyed in the history of mankind? Is it right to say that humans are the only entity that governs the world in the place called the earth? If it is so, were they given the qualification to govern or did they grant themselves with it?
Are we protector or destroyer? Or are we a part of symbiosis relationship with inanimate and animate objects, yet practice special authority?
Are we not defining as we like the properties of creation and extinction in the unlimited expansion of concepts? Is mankind constantly advancing?
Wouldn’t we occasionally have to reflect and ask ourselves the questions like these in a very fundamental approach? Such thoughts that seem pretty big and basic at the same time came to my mind one day.
What is expressed in my pieces are the results of processes left by the time trying to show the opportunities for meditative reflection on the questions like these.
Different objects appearing in the pieces have different meanings and they are the combination and harmony that encompass the past, the present, and the future.
The paper box used instead of canvas (paper box used in product packing) is a common packing container that is used for all good produced by the modern mankind and is the representative object that symbolizes the mankind at present, and cement is also seen as a by-product that defines the civilization.
Images like animals that can’t be really defined (familiar but not clear) are imagination that refers to the lives that became extinct in the history of mankind, and images such as clouds and sun are from fixed patterns that children draw which means purity and reflecting the start.
Transforming coincidental forms that are naturally made while spilling and painting ink on a paper into other images and using them is also a part of theoretical reflection of ego and consolation of life that wants expression to be happy like a play.
Pieces expressed in three-dimensional form are also expressed in the same way in the continuation of properties of plane.
“How do you see it?” is of course subjective of the one who sees it, but pieces expressed in these meanings are the results of these days.
I think that taking a step back to reflect on ourselves is a responsibility and an obligation that humans necessarily have to follow.
Exhibition Hall Scenery of the Exhibition Hall
