Mondo circo (2022) Sculpture by Andrea Viviani

Andrea Viviani is a contemporary Italian sculptor. In focusing on nature, Andrea Viviani doesn't merely mimic its forms; instead, he cultivates an empathetic harmony with its rhythms and processes. Viviani places his intuition and observations of the surrounding environment at the core of a poetic and profound exploration of the world. This exploration seeks to comprehend the laws governing chaos, instability, and the inherent impossibility of controlling the unpredictable and irregular aspects of life. 

At the core of Viviani's artistic philosophy is a keen intuition and careful observation of his surrounding environment, positioning these elements as the focal point of his creative expression. His work delves into the intricate laws of chaos, instability, and the inherent impossibility of controlling the unpredictable and irregular facets of life. The extraordinary allure of Andrea Viviani's art lies in his unwavering devotion to an artistic vision that goes beyond itself, establishing a deep and meaningful connection with life.

Viviani's sculptures are a manifestation of beauty transfigured by the reality of matter, capturing the elusive amazement of incompleteness and fluidly navigating the perpetual progress of the natural world. His artistic endeavors have been widely recognized, with numerous exhibitions hosted at museums and private galleries both in Italy and internationally.

Acknowledged for his significant contributions, Viviani has garnered institutional awards and triumphed in public competitions for the creation of important works of art. His pieces have found a home in various private collections, foundations, and museum institutions across the globe. Notable locations include the Keramic Museum Westerwald in Hohr-Grenzhausen, Germany; the Musée de Carouge in Geneva, Switzerland; the Museum of the Academy of Fine Arts "Pietro Vannucci" in Perugia, Italy; and the Cielle Ceramics Museum of Castellamonte in Turin, among others. Andrea Viviani's artistic legacy is further evident in collections at the Municipality of Albissola in Padua, the Mediolanum Foundation in Milan, and the Banca Sella Foundation.